Nancy Lovendahl – Love and Art

Take an art experience into the sculpture process!

Category: Art

The Power of Limits Is Completed

Western State Colorado University in Gunnison, CO has a new interactive public art sculpture linking their arts departments.  This has been close to a year long project completed and dedicated in September, 2016.  Many thanks go to Julie Feier, CFO of the university for her amazing ability to get things done!

The sculpture is 11’H x 50’W x 25’D

Made of Carved Limestone, Stainless Steel, Rose Quartz Crusher Fines

I was asked to creatively link the Performing & Visual Art Departments at this university.  Pythagoras’ discovery of the harmonic mathematic proportions of unison, octaves & intervals in sound creates a leaf-like form, which we then cut from the center of 5 stone blocks.  These natural proportions are also used by the visual arts for harmony, thus linking both art departments through this interactive, sculptural environment that all students, faculty and visitors can perform in, exhibit sculpture within and explore for many years to come.

THE TEAM:  Artist:  Nancy Lovendahl, Lovendahl Studio; Stone Pre-forming:  Swanson Stone, Sedalia, CO; Carving and Finishing:  Lovendahl Studio; Soils Evaluation:  City of Gunnison, CO;  Foundations & Installation: Christopher Klein Construction, Gunnison, CO; Engineering:  Brian Kurtz Engineering, Glenwood Springs, CO;  Site consultant: Christopher Skully, Arch., Hord Coplan Macht, Denver, CO

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Art: Raw to Refined!

Last December, I received that happiest of rare calls from Colorado Creative announcing that I had won the Art In Public Places (AIPP) award for the new renovation of Quigley Hall on The Western State Colorado University (WSCU).

My idea had connected their performing arts and visual arts departments, merging the concept of musical harmonics in the visual form of unison, octives and intervals.  Natural geometry of these musical elements forms a most beautiful symbol… Like a leaf pattern, or fish, or what many males have recounted to me… Male sperm!  Everyone is right because all of the same geometric proportions connected to these forms, yes- sperm does have geometric form- are the same.image

I plan to cut this symbol out of raw blocks of  limestone and refine them standing in an environmental space.  This environment has sculptural seating, spontaneous performing spaces and visual art spaces in front of the newly renovated arts department building.

I started by buying stone…. LOTS of stone! 81,000 lbs of it actually.

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You are looking at raw blocks for 3 individual pieces, which equal 6 parts for the sculpture:  3 symbols to be cut out of 3 frames.

I make templates out of my symbol in varying sizes for each of these raw boulders, which are then cut out using a gigantic wire saw.  Swanson Stone in Sedalia, CO is my ticket to ride for this part:image

Once the placement is established, the cutting begins.  Like a cookie cutter, this symbol is cut out of the center of each rock.  We are cutting one of the largest ones in the project, a 9 foot long x 5 ft wide X 3+ foot deep beauty from Kansas.

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I’m fooling with you eye.  This rock is really on its side.  You are viewing the way it will be installed in the sculpture, soaring 9 feet into the air with the open space available for climbing through, looking through or sitting inside.

imageHere is the symbol, again fooling with your eye.  It is shown how it will be installed standing upward vertically 7 feet high.  The carved lines on the form are the intervals and octave lines set against the long smooth curve of the unison line.

What is beginning to take form for me, is the contrast between the rawness of the block, cut out revealing what has been taken away from it to be refined on its own.  These contrasts represent ourselves. We begin something new, presenting ourselves in unrefined form.  After the journey of the learning or experience, what has shifted out of us becomes something new and dazzling.

imageI’m working outside turning the symbol into the round, sensuous form with textures each of the 5 of them will become and then touching up the frame  inside cut-outs for them to be completed.  I’m finishing the second side of the first symbol and the first frame in the background is complete.  8 more to go!

I am under contract to deliver and install this environment in August, so there is much to do and discover in the making process.  Stay tuned!

Art & Kansas is a place to call home!

I just returned from Kansas City and Lawrence last month, driving a sculpture there for inclusion in The Lawrence Arts Council Sculpture Show.  This big show was juried by gallerist Bill Haw and the town was ready for their annual show of 8 well-scaled sculptures.  The city works team helping me was experienced and fun, which made a big pick-up load a pleasure to install!  While making the delivery, I had the chance to visit Haw Contemporary, a beautiful Kansas City gallery in the warehouse district, The Nerman Museum, The Kemper Museum plus The Sherman Museum back in Lawrence.  I can’t express how much I enjoyed the hospitality from everyone.  My meetings were cordial and relaxed to show my work to new faces.  I do hope I get the chance to come back soon and work with some of these consummate professionals.

Part-time Aspenites and Kansas City friends Sharon and John Hoffman were fantastic hosts in getting me to the best of the arts in Kansas City.  I had lunch with long-time friend of Anderson Ranch Arts Center artist and board member Lee Lyons catching up on his move into a new house there.  His gorgeous collection looked great.  He showed me his favorite historic latin illuminated manuscript from his stash.  His collecting is a passion.  Everyone told me not to miss the new wing of The Nelson Adkins Museum and holy schmoly…just get into your car and GO NOW!  The sculpture of Judith Shea, Ursula Von Rydingsvaard and Roxy Payne are being shown off in the the best way I have ever seen.  Massive works on flowing green lawns amid the largest privately held Henry Moore collection in the U.S.  Kansas City is home to many of the long time philanthropists for a few centuries now.

I was corrected by the extraordinary collector, curator and fabulously humorous director of The Nerman, Bruce Hartman, that “Kansas City is the real gateway to the west.”  The contrary was said by me, a born Chicagoan, reflecting my own prejudices.  Kansas City feels like a mature grown-up to the young teenager that Denver is growing into.  I got a city-fix the likes of New York without the hassle and bump.  Its got Chicago-style friendliness, beauty and cultural sophistication but I might get corrected on that, too… very soon!  Kansas is a one of a kind home land. http://nancylovendahl.com

8” x 22” x 10” - 875 lbs White Yule Marble, Limestone, Blue Colored UV Balanced Epoxy Resin

8” x 22” x 10” – 875 lbs
White Yule Marble, Limestone, Blue Colored UV Balanced Epoxy Resin

A Small Diversion…

I first began this blog to demystify the making of sculpture for any readers inspired to tune in!

Yes- that is the backbone here… however, how about a little pictorial story of the journey, as well??

Strap yourself in… here we go!

Back In The Saddle…Or Where Have I Been?

Show Installation

Looking at the 1-person show INTERCESSIONS I had this fall at Wm. Havu Gallery in Denver. Sold well. Was received warmly. 18 months of work displayed in 15 sculptures shown with Homare Ikeda’s 1 person painting show. Nick Ryan really works hard for Bill Havu. Terrific gallery manager. (Sept. 12- October 18, 2014)

Where have I been?  Nose down in the studio… here’s the evidence!

Here is an installation pic of the recent BIG event I’ve fulfilled this fall!  But the road getting there has been 18 months of 24/7 weeks as the exhibition was such an opportunity to show new sculptures, new materials and new paradigms in my thinking.  I’m still recovering, to be honest.  The crash after such a push always has a price!!  But I am not complaining.  The rest of this year has been equally a high point.  5 shows in 12 months… with the last opening for a group show Dec. 16 at Anderson Ranch Art Center, NOTHING IS EVER WHAT WE THINK curated and organized by Andrew Roberts-Gray.  Below are the review highlights from the rest of the year in pictures:

The Right side of the Wyly Art Center exhibition of the works I started in Beijing during the 2 month residency at The Red Gate Residency.  Working out of a 2-story studio in an historic pickle factory compound, now called Shangri-la began this journey of asking the question, "What is Here?  and What is There?".  Working over the 60th anniversary of The People's Republic of China, proved to me that people are people the world over.

The right half of my Wyly Art Center exhibition of artworks inspired by chinese scrolls begun in Beijing during a 2 month residency in 2009 at The Red Gate Gallery Residency Program. Working out of a 2-story studio in an historic pickle factory compound, now called Shangri-la, began this journey of asking the question, “What is Here? What is There?”. Observations during the 60th anniversary of The People’s Republic of China, proved to me that people are people the world over. It was wonderful to see the finished exhibition of these ideas on the American side of the questions!  (Jan, 2014- Basalt, CO)

Jessica Cerise curated this beautiful show BEING, which opened last June.  Mary Conover and myself share a conceptual connection for making art.  The current results were exhibited together in the Patton-Malott Gallery at ARAC in Snowmass Village, CO

Jessica Cerise curated this beautiful show BEING, which opened last June. Mary Conover and myself share a conceptual connection for making art. The current results were exhibited together in the Patton-Malott Gallery at ARAC in Snowmass Village, CO (June, 2014)

The Arvada Center for The Arts & Humanities opened SCULPTURE IN THE FIELD inviting me to add 2 installations.  Here is seen the beautiful girl herself planted in the earth for the first time.  I DO love cranes!  They are so helpful to lift 10,000 lbs.  Collin Parsons and his team are THE BEST!

The Arvada Center for The Arts & Humanities opened SCULPTURE IN THE FIELD inviting me to add 2 installations to a new 17 acre space on the grounds of this vital art center. Here is seen the beautiful girl herself planted in the earth for the first time. I DO love cranes! They are so helpful to lift 10,000 lbs. Collin Parsons and his team are THE BEST! (Arvada, CO June 26, 2014 – Sept, 2015)

The Denver Botanic Gardens commissioned me to create a new temporary public artwork and re-imagine a favorite classic piece, SPIRAL ECHO.  These pieces were part of a major undertaking called CATALYST.  This yearlong exhibition was comprised of all Colorado sculpture culminating into a book capturing the highlights.  Lisa Eldred and Kim Manajak made this the most special undertaking of my career.  It was also wild to install during one of the largest freak snow storms in recent memory!

The Denver Botanic Gardens commissioned me to create a new temporary public artwork FRACTAL ECHO and re-imagine a favorite classic piece, SPIRAL ECHO. These pieces were part of a major undertaking called CATALYST. This yearlong exhibition was comprised of all Colorado sculpture culminating into a book capturing the highlights. Lisa Eldred and Kim Manajak made this the most special undertaking of my career. (Respect goes a long way for me!)  It was also wild to install during one of the largest freak snow storms in recent memory!  Photos:  Courtesy Dressel-Martin for DBG (Seen installed in Potager Pond, April, 2013 – Jan 11, 2014)

How a sculpture begins

A commission comes to an artist for many different reasons.  I’ve been thinking about the process my recent commission, THE GATHERING, followed after the collectors walked through my door at the invitation of a long-time friend and designer.  She and I had worked on many projects over the years and they were always good experiences.  This designer had the uncanny ability to match clients and artists.  No one’s time is wasted as this pro does her due diligence before any calls are made.  This is important to learn about a dealer or contact upfront.  You can’t push them into liking your artwork and at the same time, they’ll remember you if you keep them updated, too.  I’m the fortunate one to work with someone like her and had updated her about what I was carving down the street. Oh, yeah… she lives 2 blocks away making studio visits very easy.  Especially on warm nights when a work day is done!

Unbeknownst to me, these clients and said designer had been looking at my stonework for 3 years before pursuing an outdoor table to sit by a creek in rural Gunnison County, CO.  These weren’t ordinary collectors.  They had an eclectic and loved collection of ethnic and contemporary pieces.  It then turned out that we were all from Chicago.  He had even worked with my late father-in-law in business.  We knew each other in 10″ time.  The designer just smiled and let us roll.  We were off and running putting together a check list of the needs they had collected over the 10 years of living in this extraordinary house out in the country.  So we started….The Gathering - FullView more next post.

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